|
-THIS
ARTICLE IS A MUST READ-
HOW LOUD IS LOUD?
|
Common
Noise Levels and Typical Reactions |
| Activity |
Noise
Level [dB(A)] |
Apparent
Loudness |
Typical
Physical Response |
| Rocket launching |
180 |
|
Danger level |
Threshold
of pain
Gunshot
Jet engine taking off |
140 |
|
Danger
level |
Military jet
Air raid siren
Shotgun
Hydraulic press (3 m away) |
130 |
512 times as
loud |
Limited ability
to hear amplified speech.
Noise may cause pain.
Can damage hearing
after 3.75 minutes exposure per day |
Car horn
Propeller aircraft
Air-raid siren |
120 |
256 times as loud |
Can damage hearing
after 7.5 minutes exposure per
day |
Sand-blasting
Squealing pigs
Inboard motorboat
Typical night club
Unsilenced motorcycle (7m away) |
110 |
Over 128 times as loud!! |
Maximum vocal
effort. Can
damage hearing
after 30 minutes exposure per day |
|
Amplified Rock Music |
110-130 |
Over 128 to 512 times as loud!! |
Can
damage hearing after
3.75 – 30 minutes
exposure per day |
Helicopter
Motorised/power mower |
105 |
|
Can damage hearing after
1 hour
exposure per day |
Jet takeoff @
500m
Train horn @ 30m
Diesel truck
Pneumatic drill/jackhammer |
100 |
64 times as loud |
Can damage hearing after
2 hours exposure per day |
Heavy truck @ 15m
Busy city street
passing motorcycle
Lawn mower
Loud shout
Sreaming child |
90 |
32 times as loud |
Very annoying.
Can damage hearing
after
8 hours exposure per day |
Average factory
Electric shaver |
85 |
|
|
Busy traffic
intersection
Motorway construction site
Outboard motor
Alarm clock (with bell)
Freight train (15m away) |
80 |
16 times as loud |
Annoying . |
Motorway traffic @ 15m
Roadside traffic
Train horn @ 500m
Vacuum cleaner
Mixer
electric sewing machine
Noisy restaurant
Conversation in a loud voice |
70 |
8 times as loud |
Telephone use
difficult. |
| Washing machine/dishwasher |
65 |
|
|
Light car traffic
@ 15m
City or commercial areas
Noisy office
Normal conversation
Clothes dryer
Background music |
60 |
4 times as loud |
Intrusive. |
| Quiet office |
50 |
2 times as loud |
Speech
interference. |
| Refrigerator |
45 |
|
|
Quiet
residential area
Kitchen/bathroom
Public library |
40 |
Arbitrary
Base
Reference Level |
Quiet . |
Leaves rustling
Very soft music
Recording studio
Living/dining/bedroom |
30 |
1/2 as loud |
Very quiet. |
| Threshold of
sound perception |
10 |
1/8 as loud |
Just audible. |
| Threshold of
hearing |
0 |
N/A |
Not audible. |
| |
|
|
 |
Question:
What
do
Bill
Clinton
and Pete
Townsend
of the Who have
in common?
Answer:
They
both have
hearing damage resulting from exposure to loud music. In
Clinton’s
case, by playing the saxophone in a band during his teens.
October 3, 1997: NY
Times
Midlife is catching up with
Bill
Clinton:
Doctors fitted the baby-boom president with hearing aids on
Friday.
Clinton, who turned 51
in August, has complained for years about hearing loss, listing it
as a problem in his annual physicals since his days as Arkansas’
governor.
He found it had worsened this year and reported having trouble
hearing people in crowded receptions. Presidential press secretary
McCurry
said “ indeed, he often can’t make out what hecklers occasionally
shout at him while he is making speeches...”
For what doctors termed a high-frequency hearing loss in both
ears,
Clinton was fitted for
the type of hearing aid that can be easily placed fully inside his
hearing canal, hardly noticeable to other people.
The president’s problem, a moderate difficulty hearing
high-frequency sounds, is typical of hearing loss due to ageing
and exposure to loud noise |
Update
– December 2002 –
Pete
Townsend
reports that his hearing has gone almost completely, he can no longer
hear what other people say.
|
Rock
machismo lives, despite the threat of permanent hearing loss
Taken
from Anderson, Brett,
The treble and the damage done…
Vol. 20, Twin
Cities Reader,
01-11-1995, pp 15. Sometimes my ears ring dull and low. I hear
something that sounds like a cross between the hum of a Hammond organ
and the purr of a well-tuned luxury car. Other times the noise is a
faint, high squeal that alternately surges and recedes like surf. Most
often, my head hisses like the inside of seashell, causing a cool
sensation that feels like my ears are leaking gas. As unpredictable as
the nature of my own private echoes might be, it’s certain that I will
awake from a night spent sucking down loud rock music with a hangover
that has nothing to
do
with booze.
I’m
not alone.
“What
happens is the hair cells are damaged, but they’re not dead,” Dr. Sam
Levine (an
otolarynologist)
explains. “As they’re damaged, you lose some of your hearing. Most of
the time, if you get out of the environment, your hair cells will
recover somewhat. Each day, it [your hearing] comes back, but not as
good as it did the day before. Eventually, over a long period of time,
hair cells are permanently damaged instead of temporarily damaged.”
Most
people would rather believe that hearing loss is like car accidents,
violent crime and tax audits - something that affects other people.
There are some famous cases. Who guitarist
Pete
Townshend
was perhaps the first major rock musician to bring public attention to
the problems of hearing loss.
Two
years later, rumor
spread widely that Soul Asylum’s Dave
Pirner
had tinnitus. Although he never has confirmed it to the press, his
band’s sudden turn to acoustic music and the temporary use of a sound-
deflecting barrier around Grant Young’s drums lent credence to the
report. Bob Mould has spoken out about his hearing loss, telling
Rolling Stone last year, “I know I’m reaching the end of what I can
do
because of my hearing.”
Dr.Levine explains that
if the hair cell is damaged or destroyed, what comes out is an
abnormal sound that’s not physically created and is a sound that’s
literally ‘in your head’, known as tinnitus.
Benno
Nelson, leader of the band National Dynamite: “I mean, sometimes it
will get so bad, I’ll think to myself, ‘Could this drive me crazy?
Will the ringing ever stop?’ It fucking sucks.”
Dr.
Levine says regular exposure to noise that exceeds 85 decibels “is
considered to be dangerous.” For perspective, the doc says a normal
conversation should measure about 50 dB and a chart in his office has
a food blender checking in at 88 dB, a jet flying overhead at 103 dB,
a rivet machine at 110 dB and a rock band topping out the list at 114
dB.
Cows
drummer Norm Rogers says he only notices hearing problems when his
band is on a busy tour. At the tail end of a gruelling European jaunt,
for instance, he says the scene in the band’s van was like “being in a
geriatric home. It was pathetic. We were screaming at each other
because we just couldn’t hear a thing.”
Given
the trouble and the damage done, why aren’t bands turning down the
volume? Why are 25dB earplugs still such a relatively rare sight in
clubhounds’
ears?
One
local musician insists that high volume is simply part of the package.
“It’s totally fucking cool. It’s rock and roll,” says the musician,
who also suffers from tinnitus and lives with “a gentle, soothing ring
at about 6 kilohertz. Like anything that’s bad for your body,
absorbing healthy doses of deafening monster rock happens to be
awesome. – at lower volumes it’s dry and altogether unsatisfying”.
“My
ears used to get like warm,” he says of his days before tinnitus.
“They’d get warm and tingle when I’d totally be
jammin’
to loudness, and I love that sensation.” (Yeah well, we can’t all be
sane).
But
could continuing to go without earplugs lead to deafness?
“Absolutely,” Levine says. “There’s no cure for tinnitus or hearing
loss. Your ears are trying to tell you something. That ringing is the
scream of your hair cells dying. Each time you
do
that, more and more damage is done.”
|
SO
JUST WHAT IS THE PROBLEM?
Any
kind of loud music, not just rock music, can cause temporary and
permanent hearing loss. Constant ‘pounding’ music and noise that goes
on for long periods of time are
common
causes of deafness.
If a
noise is so loud that you
have to shout to make
yourself heard (which happens a lot or when you go to a concert), over
time the mechanism of the inner ear will be injured.
Protecting the Ears
Noise-induced hearing loss can occur at any age.
Noise-induced hearing loss is often a very preventable condition.
Physicians recommend that people take steps to protect their ears
against damaging high levels of noise.
Temporary hearing loss
can happen after you’ve been exposed to loud noise for only 15
minutes. If you have
temporary hearing loss, you won’t be able to hear as well as you
normally can; and you may
have
tinnitus
(say: tin-eye-tuss),
which is a fancy word for ringing in the ears. Your ears can also feel
‘full’. These things usually go away and your hearing soon returns to
normal.
How
do
I know if I need hearing protection?
If you have
to raise your voice to be heard by someone less than three feet away,
then you should be wearing a protective device.
-
Stereos and other types of amplification devices should be kept to a
moderate level. People should be able to talk and be heard over the
music. If people need to shout to be heard above the music, then the
volume is too loud.
- For
those who wear headphones (eg
walkmans), the volume is also too loud if a person standing near a
listener can hear the music coming through the headphones.
-
Exercise can also aggravate noise-induced hearing loss. “People are
more stressed when they work out at the gym. When we’re stressed our
ears become more susceptible, noises don’t
have
to be as loud to affect hearing.”
Can loud rock music cause
deafness?
You bet, but music doesn’t
have
to be so loud that it hurts your ears for it to cause damage. If it’s
so loud you can’t hear a normal conversation, it’s probably damaging
your hearing.
Can going to one concert
really damage your hearing?
It depends on how loud the sound is and for how long you are exposed.
In general, the louder the sound, the less time required before
hearing damage will occur.
Typically, you may experience a temporary hearing loss after going to
a concert. You may notice that your ears are ringing or that speech is
muffled when you leave the concert.
This
temporary hearing loss usually returns back to normal in a day or two,
but
with repeated exposure, the hearing loss will become permanent. |
WHAT
LOUD MUSIC DOES TO YOUR EAR?
Physiology of the Ear and Hearing
The
ear has three areas: the outer (visible part of the ear), middle, and
inner ear. A thin membrane, called the eardrum (tympanic membrane),
divides the middle and outer ear. When we hear, sound vibrations, or
sound waves, funnel through the outer ear and down the ear (auditory)
canal, where the sounds hit the eardrum, and cause the eardrum to
vibrate.
These
vibrations are passed through the three small bones in the middle ear
- the malleus
(hammer), incus
(anvil), and stapes (stirrups). From the middle ear, the sound
vibrations are transmitted to the inner ear (vestibule). Tiny hairs in
the cochlea (a snail-shaped organ in the inner ear) transform the
sound vibrations into nerve impulses. The impulses are transmitted to
the brain through the auditory (cochlear) nerve.
Noise
and Hearing Loss
Excessive exposure to loud noise can damage the tiny hairs in the
cochlea and lead to hearing loss. Generally, this type of hearing loss
is reversible (except is some cases of a sudden, very loud noise, such
as an explosion).
However, over time, repeated exposure to loud noise can cause
permanent damage and hearing loss. This condition is known as
noise-induced hearing loss. |
Watch
your hearing!
Your
ears are very delicate, prolonged exposure to sound pressure levels
above 85dBA will cause damage to your hearing. If you
have
ever been to a party or to a concert where loud music was played, you
may have
experienced Temporary Threshold Shift (TTS). This temporary loss of
hearing can become permanent if exposure is done on a regular basis.
One
way to tell if you’ve been exposed to excessive sound pressure levels
is that you tend to hear a ringing in your ears.
Ringing in your ears, hissing, clicking or buzzing sounds all
represent the effects of tinnitus, which is often a side effect of
noise-induced hearing loss. Inner-ear cells are sensitive to
vibrations. But if they’re damaged, the ears will still record ringing
or buzzing,
even when there’s no sound.
Remember, it is your high frequency hearing that deteriorates first.
Think of what music would sound like if you couldn’t hear anything
above 10KHz: just like with a crummy old transistor radio or listening
to music over a telephone (no cymbals or high pitched instruments,
voices sounding deadened). Protect yourself or just turn it down!
The
high frequencies are lost first, so you may
have
difficulty hearing high-pitched voices. Loss of high-frequency hearing
makes many words sound alike, especially those containing the
high-frequency sounds S or soft C, F,
SH,
CH or H. Words like “hill,” “fill” and “sill” may sound exactly the
same.

headphones, ear-pieces and “ear bud” phones
as often used, loud ipods and
mp3 players damage hearing
-
“The big culprits aren't the devices themselves [iPods
and MP3 players], but the tiny "ear bud'' style headphones that the
music players use.”
-
“the earbuds
are even more likely to cause hearing loss than the muff-type
earphones that were used on Walkman and portable CD players”
- “on
average, the smaller [the headphones] were, the higher their output
levels at any given volume-control setting.” [Harvard Medical School
study]
-
“tiny phones inserted into the ears are not as efficient at blocking
outside sounds as the cushioned headsets, users tend to crank up the
volume to compensate.”
- “a
quarter of iPod
users between 18 and 54 years of age listened at volumes sufficient
to cause hearing damage.” [Australian research]
As one
researcher found was often the case, listening to music/muzak
at 110 to 120 decibels damages hearing in less than an hour and a
half. Thus, the “longer-lasting batteries and more storage capacity
encourages people with portable players to listen longer, not giving
the ears a chance to recover”.
Experimental evidence
Researchers at the University of Florida tested the hearing of some
middle and high-school students. The investigators found that about 17
percent of the children had some degree of hearing loss. Most of the
hearing loss was in higher pitches, which are usually the first ranges
of sound to be lost after hearing damage. The investigators believe
that exposure to excessive noise results in a serious hearing
impairment at an early age.
Significant hearing losses were detected in a group of students who
had a history of frequent attendance to pop music entertainments.
Losses due to loud noises in jobs, gunfire, etc. were also identified.
(The Lancet 2:203-204, August 2, 1975).
A
‘guinea pig’ showed hearing impairment in his right ear after
listening to high-intensity rock music for 88 hours over a two month
span. The left ear, protected by a plug during most of the music,
demonstrated no cytological changes. The damage to the right ear was
permanent. (Archives of Otolaryngology 90:29, 1969)
|
I’M
NOT GOING TO STOP GOING TO GIGS!
Fine,
fine. Who said you should?
But if
you don’t want to end up deaf in a few years time you MUST protect
your hearing now and that means
either
a maximum exposure time of 15 minutes per gig – which I don’t see you
raving about!
or
by using hearing protection – that is ear-plugs.
Problems with Conventional Earplugs
Musician’s earplugs are not intended for maximum attenuation. For that
application, conventional foam or fully sealed
pre-moulded hearing protectors or earmuffs are recommended.
-
Existing earplugs attenuate more than necessary for much of the
noise in industry and the environment.
-
Regardless of their exact construction, existing earplugs produce 10
to 20 dB of high frequency attenuation and the result is that people
often reject them because they can’t hear speech clearly.
-
Conventional earplugs make the wearer’s own voice sound hollow
(known as the occlusion effect).
-
Many people risk their hearing by either wearing earplugs loosely or
wearing no protection at all so they will be able to hear voices,
machinery or music more clearly.
Finally,
cottonwool and tissue are
useless. They
only reduce sound by less than 7 dB.
|
SO,
WHAT DO
THE BANDS DO?
Lars Ulrich/Metallica:
“Three of the four members of
Metallica
wear earplugs. Some people think earplugs are for wimps. But if you
don’t want to hear any records in five or ten years, that’s your
decision.”
If I wear hearing protection
devices while I’m playing, won’t it be hard to hear myself or the
other instruments?
No, actually with distracting noise removed or minimised you will
hear more clearly.
If a hearing device cuts down
on the noise from my instrument or voice, how will I know what I sound
like?
Your ears adjust very quickly to the protectors.
Don’t people in places with
loud music or sounds just get used to the volume?
No. Hearing loss and tinnitus (ringing in the ears) are insidious.
Problems can occur gradually. People often don’t know they
have
a problem until it’s too late.
After years of not wearing
hearing protectors why start wearing them now?
Protective devices can prevent further damage. Hearing problems
because of exposure to excessive noise
do
not have
to happen.
“Musicians’ plugs allow some sounds in, but block others out. The
musician’s hearing focuses on voice blending.” (Janser).
These
specialised earplugs run from $150 - $200. The price may seem steep,
but it’s quite reasonable compared with the financial and physical
toll of wearing a hearing aid.
Custom fit earplugs,
worn by many musicians, are made from an impression of the ear canal
taken by an audiologist or other hearing health professional. The
impression is sent to a lab, where the final ear-mould is made. Custom
earplugs are comfortable, easy to insert correctly, and filter sound
better than disposable plugs.
Your
local medic (doctor), audiologist or hearing aid dispenser will be
able to advise you further.
TYPICAL HIGH GRADE PLUGS (as used by musicians)
The
ER-15 and ER-25 models are popular with musicians because of a special
filter that lets the listener hear music at a safe level without
sacrificing quality. Instead of cutting out the high frequencies,
musician’s plugs attenuate all the frequencies evenly in relation to
your hearing.
A
flat-response attenuator (reducer) must
have
a frequency response that follows the shape of the natural frequency
response of the open ear, but at a reduced level. Both the Musician’s
Earplug ER-15 and ER-25 use a diaphragm, similar to a passive speaker
cone, to achieve the desired response curve. The ER-20 uses a tuned
resonator and acoustic resistor. To reduce the occlusion effect, a
deep seal of the plug in the second bend of the ear canal is
necessary. In general, the ER-15 attenuators are designed for
environments where the A-weighted sound pressure level is 105 dB or
less. The ER-25 attenuators are for use in environments above 105 dB
and below 120 dB.
The
attenuation shown in the above graph is for an average ear: at least
10 dB of protection for the ER-15, at least 15 dB of protection for
the ER-20 and at least 20 dB of protection for the ER-25 are achieved
in almost any ear with these attenuators properly in place. These
custom ear moulds are to be fitted by an audiologist or hearing aid
dispenser. |
IF
YOU NEED FURTHER HELP OR ADVICE
If you
have
concerns regarding your own hearing, seek advice from your doctor,
audiologist or local hearing aid centre.
You may also ask these for information about ear-plugs, hearing aids
and sound-level meters. |
Source =
http://www.abelard.org/hear/hear.htm#how-loud
See also Pete Townsend Deafness
Warning =
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